Wondrous Strange: The Life and Art of Glenn Gould
while Mikhail Baryshnikov defected in Toronto in 1974, he admitted that he knew merely 3 issues approximately Canada: It had nice hockey groups, loads of wheatfields, and Glenn Gould.
In Wondrous Strange, Kevin Bazzana vividly recaptures the lifetime of Glenn Gould, probably the most celebrated pianists of our time. Drawing on 20 years of in depth learn, together with unrestricted entry to Gould's deepest papers and interviews with rankings of buddies and associates, lots of them by no means interviewed earlier than, Bazzana sheds new gentle on such themes as Gould's family members historical past, his secretive sexual lifestyles, and the mysterious difficulties that his arms in his later years. the writer areas Gould's specified traits--his eccentric interpretations, his garish onstage demeanor, his resistance to convention--against the backdrop of his non secular, top- middle-class Canadian youth, illuminating the impact of Gould's mom in addition to the lasting effect of the one piano instructor Gould ever had. Bazzana bargains a clean appreciation of Gould's live performance career--his high-profile yet illness-plagued foreign excursions, his adventurous paintings for Canadian song fairs, his musical and felony issues of Steinway & Sons. In 1964, Gould made the extreme choice to accomplish just for documents, radio, tv, and picture, a turning aspect that the writer examines with extraordinary thoroughness (discussing, for instance, his far-seeing curiosity in new recording technology). right here, too, are Gould's pursuits clear of the piano, from his formidable yet failed attempt to be a composer to his leading edge model of "contrapuntal radio."
Richly illustrated with infrequent photos, Wondrous Strange is a perfectly written account of 1 of the main memorable and comprehensive musicians of our times.
CBC supported him generously throughout the fifties, sixties, and early seventies, at the same time its awareness was once turning more and more to tv. He used to be a real fan of the CBC, and stored up with its inner politics and with advancements within the radio in most cases. Margaret Pacsu as soon as ran a competition on her radio convey inviting listeners to name in in the event that they may possibly establish the song she used to be enjoying, a few vague early songs by means of Schoenberg. just one individual in Canada known as in, and naturally it was once.
Temperament. there's a picture of Gould sitting at the seashore within the Bahamas, in cap, sun shades, coat, lengthy pants, and footwear, learning a Bach score–that says all of it. In any kingdom there's an intimate dating among geography and psychology, geography and tradition. a few forty in line with cent of Canada lies north of the 60th parallel, and notwithstanding fairly few Canadians ever adventure it at once the North exerts a profound impact at the Canadian sensibility. it truly is incarnated in every single place.
Refinement of style: he was once frightened of germs in faucet water. He confessed to being “almost absolutely detached to food,” and thought of consuming and ingesting to be tasks instead of joys. He didn't even like sweet as a baby, and as soon as expressed amazement that other folks may perhaps inform varied meals aside. Raised at the drab English fare standard of outdated Toronto, he caught to it, and doused his nutrients with ketchup as if to kill what flavor that they had. He didn't cook dinner and trusted eating places and room.
Time days prior with the Montreal Symphony. either cadenzas are overtly anachronistic: the 1st, Gould wrote, is “a particularly Regerian fugue” in keeping with the subjects of the 1st circulate, the opposite, a “rhapsody” in a hugely chromatic idiom. either, he claimed, have been meant to subvert “the unique objective of cadenza writing as a virtuosic display.” but the cadenzas are so eccentric that they name way more awareness to themselves than could Beethoven’s personal cadenzas or from now on traditional specimens.
Beethoven, Piano Concerto No. five (“Emperor”), with Leopold Stokowski, American Symphony (1966/1966). • Beethoven, Piano Sonatas, Opp. thirteen (Pathétique) and 14 /Nos. 1 and a couple of (1966/1967). • Bach, Clavier Concertos, Vol. 1: Nos. three, five, and seven, with Vladimir Golschmann, Columbia Symphony (1958, 1966/1967). • Schoenberg, Ode to Napoleon Buonaparte, with John Horton, narrator, and the Juilliard Quartet; Phantasy for Violin and Piano, with Israel Baker (1964–65/1967). • Canadian tune within the twentieth.