Installation Art and the Museum: Presentation and Conservation of Changing Artworks

Vivian van Saaze

Installation paintings has turn into mainstream in inventive practices. although, buying and showing such artistic endeavors implies that curators and conservators are challenged to accommodate out of date applied sciences, ephemeral fabrics, and different matters bearing on care and administration of those artistic endeavors. by means of interpreting 3 in-depth case stories, the writer sheds new gentle at the key innovations of conventional conservation—authenticity, artist’s purpose, and the concept of ownership—while exploring how those innovations follow in modern artwork conservation.  

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